During the opening credits his camera tracks along a line of nameless faces, encouraging us to look over every line and notice every blink, introducing a quietly human picture. Zinnemann was not exactly a dynamic director but he had a certain way of drawing us into a story and holding our interest. A lot of this has to do with director Fred Zinnemann. But despite this ruminating premise the picture just about manages to save itself from terminal dullness. The Spanish Civil War, or rather its aftermath, are the backdrop for these themes. ![]() In that vein Behold a Pale Horse, based on a novel by Hungarian screenwriter Emeric Pressburger, is a meditation on loyalty, trust and faith, not in religion but in religious institutions and individuals. There have not been many English-language movies made about the Spanish Civil War, and those that have been made (with the exception of Land and Freedom) tend to shy away from both politics and action, often slow-moving, contemplative affairs.
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